Much to the obvious delight of New Line's publicity department, The Atlantic's Hanna Rosin visited the novelist at his home near Oxford, England. Pullman — who's previously tried to market the film by telling reporters, "I'm trying to undermine the basis of Christian belief," and "My books are about killing God" — thinks the film studio's job would be easier if he were dead.All things being equal, Pullman told me, New Line would prefer he were, well, the late author of The Golden Compass. Dead? “Yes! Absolutely!” If something happened to him, there “would be expressions of the most heartfelt regrets, yet privately they would be saying, ‘Thank God.’”
Hilariously, Pullman continues, wondering if by editing out the anti-Christian elements that made the original novel such a hoot, New Line isn't hurting the film's box-office chances instead of helping them:“I think if everything that is made explicit in the book or everything that is implied clearly in the book or everything that can be understood by a close reading of the book were present in the film, they’d have the biggest hit they’ve ever had in their lives. If they allowed the religious meaning of the book to be fully explicit, it would be a huge hit. Suddenly, they’d have letters of appreciation from people who felt this but never dared say it. They would be the heroes of liberal thought, of freedom of thought … And it would be the greatest pity if that didn’t happen."
There seem to be some out there (so called Catholics even) who see nothing dangerous to the faith in these books. If, however, Pullman's goal is to tell that God is dead and is seeking to undermine Christian belief, then either he has failed, or those who proclaim his stories as moral sound have failed to read between the lines.
The God the Pullman tries to create in order to kill may be dead, but the God of the universe, the God that created Pullman and you and I is very much alive and active. Anything that discredits or denies that, even if it is grammatically perfect and with all the elements of plot and drama, fails to be 'Great Literature' because it fails to point to the true, the good, and the Beautiful.
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